Turnin' Tricks

A couple of months ago I helped out on a 48 Hour Film, which was totally amazing and exhausting and hilarious. My post about the experience is here: A 48-hour adventure.

We were among the four films nominated for 'Best Musical Score' from this year's batch of Melbourne films (although we didn't win), and our music team actually won a prize from a film-making school!

The film is up on Youtube now, so enjoy! Keep an eye out for me, Willie, Julian, and Chloe (aka 'the band'). Celena is starring (and rapping)...

A bounty of books

A few exciting packages have arrived lately, because I've been buying books!

I ordered a shiny new copy of June Hemmons Hiatt's The Principles of Knitting, which I've been hankering after for ages. It's very in-depth, and will obviously take me quite a while to absorb. I really like having actual reference books around! The internet is a fount of all knowledge, yes, but often I just want to grab a familiar book when I need information on a technique...

Suitably attired!

I also found these second-hand knitting books going cheap on Ebay: Montse Stanley's Knitting Your Own Designs for a Perfect Fit, and Barbara Walker's Charted Knitting Designs. I have plenty to learn about garment construction, and I find stitch patterns endlessly fascinating. I'm still on the lookout for Barbara Walker's other stitch dictionaries.

They're older books, but most of the information is still useful and current.
I want to learn more about knitted garment construction as I think I might like to try designing a sweater sometime. And in the meantime, I'll be better equipped to tweak other people's designs fit me properly. :)


A peek inside...

And last but not least, I ordered my own score of Handel's Messiah. I've joined a new choir (at the Scots' Church in the central city), and we'll be performing it this December. The new choir is going well so far - there are plenty of good singers, and we've done some interesting music. I feel like I'm diving into the 'other half' of the choral repertoire, i.e. the Protestant side of things. Good thing I like Bach. ;)

I think I'm the only choir-geek in the English-speaking world who's never been in a Messiah performance, so this will be interesting! I know two of the choruses already (and the soprano solos of course), so that's a start. I just need this damn cold to go away so I can start learning my parts...

"Hallelujah", etc etc...

A 48-hour adventure

This past weekend was completely insane. Hours of intense concentration alternating with hours of waiting, not enough sleep, fast meals, quick costume changes, and a very ill-timed migraine... yes, I was involved in a 48 Hour Film Project! It's a kind of film-making endurance event, where your team finds out on the Friday evening what genre you'll be doing (drawn at random), and you're given a set line of dialogue, prop, and character to include in your 4-7 minute film. You then have until the Sunday evening to write the script, film it, add music and sound effects, edit it, and get two digital copies to headquarters before the deadline.

Celena had put together a fantastic team of film students, musicians and assorted skilful folk. The music team (the three Lewises and me) had expected to be needed only on the Saturday to put together some background music and whatever else was needed. However, the genre we drew was 'Musical'.
So once we all got over our shock and dismay, the writers started writing and the composers started composing...

The music team set up a 'lair' in a bedroom at our team's base. Laptops and keyboards and instruments were everywhere! I recorded some vocals for one of the musical numbers, plus a drawn-out high-C for a sound effect. Chloe's amazing new microphone was a huge help:

A most excellent microphone
 
Chloe and Willie composing amidst the chaos

I hadn't expected to actually appear on camera, but I did! We were filmed playing our instruments for the film's intro, and we appear in another couple of scenes as well. I was a bit freaked out at first, but got over it pretty quick. :)

Being filmed for the intro (photo by Celena)

I've now seen the finished film, and it's both fun and funny - yay! There are definitely a few things we would have tweaked if we'd had more time, but on the whole it's a damn good effort.

I can't wait to go and see all the films on the big screen in two weeks time. We're pretty confident we have a shot at some of the prizes. Fingers crossed! ;)

Consorting with viols

I had a rare treat last night - I got to sing with a consort of viols! A bit like this one, except wearing jeans and woolly jumpers:


Willie and I are staying with the Olivers, who are old-school early music enthusiasts. They play various string and wind instruments including viols, renaissance flutes, a shawm, a rebec, a psaltery, and virginals. They host a viol consort on Monday nights, and Robert invited me to sing some consort songs with them.

Elizabethan consort songs involve a singer plus a viol consort (hence the name), and they're quite challenging because the musical style is dense and complex - each player's musical phrases often overlap with the other players', which can make it tricky to find your place again if you get lost. The secret is to just keep counting!

William Byrd (c.1540-1623)

The songs we had a go at are all by William Byrd, and they are absolutely beautiful. I love that the voice part is really just another instrument - many of these works can be performed just as easily by all singers, or all instruments, or a mixture. The texts are melancholy (and in some cases moralistic), and I enjoyed making the most of the words once I'd got the hang of the notes. I'd like to learn Elizabethan pronunciation at some stage, to make the rhymes and word-play work as they should.

Here are recordings of three of the songs (I couldn't find any online for 'Blame I confess' or 'O that we woeful wretches could')...

'Ye sacred Muses' (1585) - a lament on the death of Thomas Tallis


'O Lord, how vain are all our frail delights' - with text by Philip Sidney


'Weeping full sore' - a 5-part madrigal from Songs of Sundrie Natures

Tenebrae

This Easter is a bit different from my usual mad choir overload! For once I don't have a full four days of choir in a row leading up to Easter - just the one. I guess this is because the Cathedral Singers isn't the main choir of St Pat's, so the choirboys will be doing the bulk of the work instead. It's nice because I get time off when everyone else does, but it's also a shame because Holy Week music is my favourite in the church year.

Tonight we're singing Tenebrae for Good Friday. We'll be doing some of the familiar Tenebrae motets by Tomás Luis de Victoria (1548-1611), and the chant Vexilla regis. I know these well from my years in St Mary's choir.

Here are two of the Victoria motets, O vos omnes and Caligaverunt:



For comparison, here are two rather different settings of the same texts by Carlo Gesualdo (1560-1613):



Because I can't resist, here are a couple of Baroque pieces for Holy Week. The famous eight-part Crucifixus by Antonio Lotti (1667-1740), which I had the pleasure of singing with the Tudor Consort a couple of years ago:


And the Première Leçon from Leçons de Ténèbres, Office du Vendredi Saint by Marc-Antoine Charpentier (1643-1704):


Have a great Easter weekend, everyone!